The album's cover art was designed by Gene Greif, the front of which was based on a postcard titled "End of the Trail", photographed by Adrian Atwater and featuring Wallace Irving Robertson. “Give 'Em Enough Rope” is the second studio album by the This was revised on later editions. Can anyone else confirm this glitch on their copy? It was released on 10 November 1978 through CBS Records. critics and fans, peaking at number two in the United Kingdom Albums Chart and All The Young Punks (New Boots And Contracts), Buy Vinyl, Matrix / Runout (Side A): P AL 35439-1AA PAL 35543-1AA, Matrix / Runout (Side B): P BL 35439-1H -35543-, Matrix / Runout (Variant 2 - Side A): P AL 35439-1AA PAL 35543-1AA, Matrix / Runout (Variant 2 - Side B): P BL 35439-1K I T 35543. It was released on 10 November 1978 through CBS Records. Most of the tracks, as with the prior album, were written by guitarists Joe Strummer and Mick Jones, with the exception of "English Civil War" (a reworking of the traditional American folk song "When Johnny Comes Marching Home") and "Guns on the Roof", which is credited to all four band members, being Headon, Jones, Strummer, and bassist Paul Simonon. Released on 10 November 1978, it was their US first album release and was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart and number 128 in the Billboard 200. My copy seems to be a 180g pressing. It's definitely not a skip in the record and is definitely part of the recording on this reissue. Paper measures 76x78cm (30×31 inches), with an image size measuring approximately 58x58cm (23×23 inches). All lead vocals by Strummer, except "Stay Free" by Jones. They Will Be Mine...Oh Yes. ENGLISH CIVIL WAR (500 PIECE JIGSAW PUZZLE), NEWS OF THE WORLD (1000 PIECE JIGSAW PUZZLE), THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS (500 PIECE JIGSAW PUZZLE). “Give 'Em Enough Rope” is the second studio album by the English punk rock band The Clash. Original US issue with block font for The Clash logo on cover (later pressings used an oriental style lettering). CBS in America had decided that the album was 'not radio friendly', so it was initially only available in the States during 1977–1978 as an import, and as such became the best-selling import of the year, selling over 100,000 copies. Give ‘Em Enough Rope artwork print signed by … The Clash second album, Give 'Em Enough Rope, was released by CBS and produced by Sandy Pearlman in November, receiving largely positive reviews. Archival pigment print in a limited edition of 150, from the original album cover artwork, on Somerset Photo Satin 300 gsm paper. And would that constitute a different version? [7], The band continued to include contemporary subjects in their lyrics on the album; "Tommy Gun" deals with Middle Eastern terrorism, specifically the hi-jacking of aircraft, while "Julie's Been Working for the Drug Squad" is a commentary on the infamous "Operation Julie" drug bust that saw the largest LSD production ring in the world, based in Wales, dismantled by an undercover police operation. The album marked the first album appearance of drummer Topper Headon, who joined the band shortly after recording their first album. It was their first album released in the United States, preceding the U.S. version of the self-titled album. Does anyone know which version came with a blue / yellow lyric inner sleeve? They Will Be Mine. The original American issue of the album also retitled "All the Young Punks" as "That'… [5][6], Though the opening track of side two, "Guns on the Roof", is ostensibly about global terrorism, war and corruption, it was partly inspired by an incident that resulted in the Metropolitan Police's armed anti-terrorist squad raiding the Clash's Camden Market base. In the United States, the Clash's debut studio album was released one year after Give 'Em Enough Rope, making it their second release in the US. All The Young Punks (New Boots And Contracts), Guide D'Utilisation de la Base De Données, Zjednoczone Przedsiębiorstwo Rozrywkowe Usługowe Studio Nagrań Przy Salonie Muzycznym, Give 'Em Enough Rope, LP, Album, S CBS 82431, CBS 82431, Give 'Em Enough Rope, LP, Album, RM, 180, 88725446981, Give 'Em Enough Rope, LP, Album, Ltd, RE, 180, DPRLP19, P762538, Give 'Em Enough Rope, Cass, Album, RE, Cap, PET 35543, Give 'Em Enough Rope, LP, Album, RE, RM, 88985419541, Give 'Em Enough Rope, LP, Album, RE, 180, SVLP 134, 495346 1, Give 'Em Enough Rope, CD, Album, RE, 462850 2, Give 'Em Enough Rope, LP, Album, RP, JE 35543, Give 'Em Enough Rope, LP, Album, RE, PE 35543, Parody | Tribute | Imitation | Inspiration. Description. "[citation needed], In a contemporary review for Rolling Stone, Greil Marcus hailed Give 'Em Enough Rope as a poised, unpretentious record of "straight English punk with a grip on the future" and "accessible hard rock" showcasing the Clash's unyielding, humorous "vision of public life": "The band's vision of a world strangling on its own contradictions hasn't changed, but their idea of their place in that world has.

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